Catherine Vidler

Catherine Vidler’s recent publications include stamp sonnets: 28 poems created from material contained in hartmut abendschein’s ‘stamp stories’ project (SOd press, 2019), 2_154_77_79_38_118_41_115_19_137_60_96_21_135_58_98_9_147_70_86_31_125_48_108_12_144_67_89_28_128_51_105_4_152_75_81_36_120_43_113_17_139_62_94_23_133_56_100_7_149_72_84_33_123_46_110_14_142_65_91_26_130_53_103_2_154_77_79_38_118_41_115_19_137_60_96_21_135_58_98_9_147_70_86_31_125_48_108_12_144_67_89_28_128_51_105_4_152_75_81_36_120_43_113_17_139_62_94_23_133_56_100_7_149_72_84_33_123_46_110_14_142_65_91_26_ 130_53_103 (Hesterglock Prote(s)xt, 2019), deleted sonnets (Penteract Press, 2019), 78 composite lost sonnets(Hesterglock Prote(s)xt, 2018), Lost Sonnets (Timglaset, 2018), collected composite lost sonnets (SOd press, 2018),lost sonnets (Spacecraft Press, 2018), table sets (no press, 2017), lake labyl (Penteract Press, 2017), table set poems (Penteract Press, 2017), table set poems (Spacecraft Press, 2017), lake labyl (SOd press, 2017), chaingrass errata slips (SOd press, 2017), chaingrass night and unresolved chaingrass tiling (SOd press, 2017), chaingrass (SOd press, 2016) and chaingrass (zimZalla Object 039, 2016). Publications forthcoming in 2019 include Keyboards, 14 visual/textual poems for Tom Jenks (The Blasted Tree), Repetitive Poems (Simulacrum Press), and Lost Sonnets (edition taberna kritika).

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