Latenza is a 8.5×14″ broadside by Francesco Aprile. It has been produced in an edition of 50.
In Latenza, Francesco Aprile’s glitch work harnesses the moment between desire’s push and the point of arrival, redefining that very point of arrival where the fulfillment of action has already gone too far. Considered in the field of visual poetics might this be an echo of the space between word and meaning, thought and writing? Suspended in the between where mood dominates, there is a sense of moving toward an ambient poetics.
Francesco Aprile, Latenza, [Domestic/Canada]
Francesco Aprile, Latenza, [International]
ADDDA is a 12×17″ print by Sacha Archer. The last of three works printed in Tianjin, China, ADDDA has been produced in an edition of 25 copies.
Chosen from an ongoing series of collages by Sacha Archer, ADDDA continues Archer’s exploration of compositional techniques as applied to concrete poetry. In his collage work, the animal (and representational) is always trying to push through–sometimes more, sometimes less evidently. In these works, and ADDDA is no exception, there is a persistent tension between the letter, form and gesture.
Sacha Archer, ADDDA, [Domestic/Canada] FOLDED
Sacha Archer, ADDDA, [Domestic/Canada] UNFOLDED
For international orders please email simulacrumpress at gmail dot com and we can determine the shipping cost.
Dawn Nelson Wardrope’s chapbook, The Penman, a Serious Writer is a 13 page, perfect bound chapbook of visual poems. The second of two full colour chapbooks which were printed in Tianjin, China while editor Sacha Archer was “on vacation” (the first being Jaap Blonk’s on tractatus one), Wardrope’s chapbook has been printed in an edition of 50 numbered copies.
Within the pages of The Penman, a Serious Writer, Dawn Nelson Wardrope has crafted a series of visual poems which take the form of vortexes and organic movements. Juxtaposed with these are poems which echo the traditional line in their linear layout, but which, anchored resolutely in the visual, radiate a pulse and aura where punctuation and the letter, dislodged from the sentence and the word, do all the heavy lifting.
Dawn Nelson Wardrope, ‘The Penman, A Serious Writer’, [Domestic/Canada]
Dawn Nelson Wardrope, ‘The Penman, A Serious Writer’, [International]
Simulacrum Press presents on tractatus one, by Jaap Blonk. A 7×7″ perfect bound chapbook of 24 pages in full colour, on tractatus one has been printed in an edition of 55 numbered copies.
Looking back to his days as a young student, Jaap Blonk, in his on tractatus one, revisits Ludwig Wittgenstein’s Tractatus Logico-Philosophicus in a series of visual meditations which focus on the first statement of that text. Within on tractatus one the reader finds that much debated statement, “The world is all that is the case” in a number of permutations from which Blonk has produced stunning visual translations via mathematical sequences.
‘on tractatus one’ by Jaap Blonk (Domestic/Canada)
‘on tractatus one’ by Jaap Blonk (International)
Tanka Vol. 1, by Eileen R. Tabios, is Simulacrum Press’s second March chapbook publication. Tabios’s Tanka, Vol. 1 is a tall, slender chapbook of 20 pages, saddle stitched and printed in an edition of 75 numbered copies.
In Tanka, Vol. 1, prolific poet and reader, Eileen R. Tabios, investigates the classical Japanese tanka. Presenting a scope of work, from her early engagements with the form to increasingly stylized experiments, a progression of possibility opens in the arena of stricture. Where in the initial section we find the poems following the traditional form (as it manifests when romanized), for the following sections Tabios utilizes her MDR (Murder Death Resurrection) Poetry Generator to set the stage for reconfiguration, then excavation.
‘Tanka, Vol.1’ by Eileen R Tabios (Domestic/ Canada)
‘Tanka, Vol. 1’ by Eileen R. Tabios (International)
Sacha Archer’s 2068 is a pocket sized chapbook produced in an edition of 55 numbered copies each running 52 pages (printed on one side).
Time and the poem. Time and life. Whichever way you come at it, time molds the state of matter, it’s perceived value, it’s relevance. Does the poem increase in value with time—is the poet aiming for immortality? 2068 uses the time limit of expiration dates to observe the poem under pressure. How does the poem on page change when it has expired, when it’s only content is it’s allotted life-span? And when it has expired—has it? Also, inevitably, 2068 is a mirror of our own mortality.
‘2068’ by Sacha Archer [Domestic/Canada]
‘2068’ by Sacha Archer [International]
Simulacrum Press enthusiastically let’s loose on the world Daniel f. Bradley’s Running credit checks with no shame now. Printed in an edition 45, this colourful, saddle stitched chapbook spans 38 pages.
With it’s title lifted from the lyrics of Nelly’s Ride with Me, Daniel f. Bradley puts forth Running credit checks with no shame now. Using ‘the’ as a sign post, Bradley navigates a mass of lines encountered on the information highway to compose a driving poetic sequence framed by a question of ownership, possession, and the hierarchy which arises from these. Punctuated by Bradley’s continuing refusal to claim copyright, the spirit of open sharing dreams a mobility where borders/limits are a tool of creation, not of restriction.
‘Running credit checks with no shame now’ by Daniel f. Bradley (Domestic/Canada)
‘Running credit checks with no shame now’ by Daniel f. Bradley (International)
Simulacrum Press is proud to release its fifth publication (and second of 2018), 9 Sonic Malfunctions by Rosaire Appel. Printed in an edition of 50, Malfunctions is a fine 20 page, saddle stitched chapbook.
Starting with Rosaire Appel’s 2012 publication, See Songs, this 20 page chapbook, 9 Sonic Malfunctions, continues Appel’s investigation into the belief that not only can the eye see, but also hear. Comprised of 9 scores, the intensity of the line in Malfunctions will submerge you in these visual/aural landscapes where our base concepts of reading and sensory function are challenged.
‘9 Sonic Malfunctions’ by Rosaire Appel (Domestic/Canada)
‘9 Sonic Malfunctions’ by Rosaire Appel (International)
Simulacrum Press presents Philosophy, a chapbook of visual poems by Sacha Archer. Printed in an edition of 50, Philosophy was produced with 5 different colour covers, each with a unique scrap torn from a book of philosophy which had fallen into disrepair.
In Philosophy, Archer takes Arthur Rimbaud at his word when he writes “…we have Medicine and Philosophy, household remedies and folk songs rearranged“. Cutting and rearranging the lyrics of popular folk songs as they appear on their respective album jackets, a short series of crawling visual poems have been composed.
‘Philosophy’ by Sacha Archer [Domestic/Canada]
‘Philosophy’ by Sacha Archer [International]
On the heals of the last Simulacrum publication comes a poster of a captivating visual poem, Ham Hat So Off, by the revered John M. Bennett. Published in an edition of 10 full-colour posters, each 20×26″ on 230 lb paper.
Bennett needs no introduction. Prolific visual/ avant-garde poet who just can’t help but produce breath-takingly fresh, raw, intense work. Ham Hat So Off is no exception. This work, presenting a pair of calligraphic scrawls, reminiscent, in their presentation, of Asian calligraphies on hanging scrolls exhibits the fine tuned chaos of Bennett’s signature hand.
To purchase Ham Hat So Off please email simulacrumpress at gmail dot com to determine individual shipping costs (poster is $25.00 CAD).