Latenza is a 8.5×14″ broadside by Francesco Aprile. It has been produced in an edition of 50.
In Latenza, Francesco Aprile’s glitch work harnesses the moment between desire’s push and the point of arrival, redefining that very point of arrival where the fulfillment of action has already gone too far. Considered in the field of visual poetics might this be an echo of the space between word and meaning, thought and writing? Suspended in the between where mood dominates, there is a sense of moving toward an ambient poetics.
Francesco Aprile (Lecce, Italy) is freelance journalist, poet and visual-poet, essayist. In 2010 he became member of the literary movement called New Page-Narrativa in store, that has founded in 2009 by Francesco Saverio Dòdaro; he worked as a press agent, secretary, editing exhibition and critical works of the authors belonging to this movement. Since march 2013 the cure of this movement has been at two voices: F. S. Dòdaro-F. Aprile, but currently he is the director of New Page (since august 2016). In April 2011 he founded the group of artistic research Contrabbando Poetico, subscribing the first manifesto. He is the co-founder of Unconventional Press (2012, with Cristiano Caggiula) and the magazine of experimental languages www.utsanga.it (2014, with Cristiano Caggiula). He is the author of code poetry/poetic algorithm (since 2010), asemic cinema/asemic film (since february 2016), visual poetries, asemic writing, glitch and literary glitch, asemic-glitch writing, theory about informatic-poiesis and informatic punctuation, theory about latency in literature (Exegesis of a renunciation and so on), writing error, abc asemic book. Since 2016 he is included in ADA-Archive of digital art (Danube University, Krems).
Latenza can be purchased here.